A/V Processor
Click image to enlargeD2v 3D
Fully featured 7.1-channel audio and video processor, eight HDMI inputs, Dolby TrueHD, DTS-HD Master Audio, PCM 24/192, highest quality 1080p upscaling with 1080p24 compatibility, Anthem Room Correction, premium quality A/D and D/A converters, 24-bit/192 kHz upsampling on all channels in main zone, two stereo zones.
D2v now 3D equipped! From riding the third dimension on light cycles in the movie Tron, to racing through the 3D jungles of Pandora in Avatar, the movie experience is always better in triple dimensions. 3D video has a different structure than traditional video so it must pass through the A/V processor without being affected. The new Anthem AVM 50v circuit board automatically detects the presence of 3D video and go into passthrough mode as per a source menu option for video output configuration, passing the 3D HDMI signal from a 3D Blu-ray player to a 3D TV at resolutions up to 1080p. For additional convenience, in passthrough mode the output refresh rate is now automatically matched to the source’s frame refresh rate which is useful for sources that output a mix between 24, 50 and 60 Hz. It’s now 3D equipped. Fully featured 7.1-channel audio and video processor, 8 HDMI Inputs and 2 Parallel HDMI outputs with the top four ports (HDMI 1 through 4) and top output (HDMI 1) supporting true bypass sensing 3D inputs automatically, Dolby TrueHD, DTS-HD Master Audio, PCM 24/192, highest quality 1080p upscaling with 1080p24 compatibility, Anthem Room Correction, premium quality A/D and D/A converters, 24-bit/192 kHz upsampling on all channels in main zone, two stereo zones. AS GOOD AS IT GETS WHEN IT COMES TO DIGITAL AUDIO AND DIGITAL VIDEO PROCESSING Sound from HDMI sources plays perfectly, at least if does if you’re using a D2v. Why? In the D2v, all eight HDMI inputs are connected through high-performance TMDS (Transition Minimized Differential Signaling) timing regenerators and multiplexers. The receiver contains a programmable equalizer and a Clock Data Recovery (CDR) function for each of the three TMDS pairs in an HDMI or DVI signal. The TMDS data outputs are regenerated and perfectly aligned to the regenerated TMDS clock signal, creating an extremely clean low-jitter DVI/HDMI signal that is easily decoded by the HDMI receiver. This is particularly useful for cleaning up a noisy/jittery source, or when a long or low-quality cable is being used. BROADCAST-QUALITY DIGITAL VIDEO PROCESSING ENHANCED VIDEO PERFORMANCE STATE-OF-THE-ART DIGITAL AUDIO PROCESSING … AND FOR THE AUDIO PURIST AND THEN THERE’S ANTHEM ROOM CORRECTION (ARC) Configuration For full information on Remote, click here to download the operating manual Carrier Frequency: 38kHz If you require technical support with the MX 3000, please contact www.universalremote.com VOL- Pronto 3000 Vol+ Overview

Even when the finest speakers are perfectly positioned, the room itself still has a dramatic impact on a system’s sound, an impact more profound than that of any individual component. Various solutions have fallen in and out of favor over the years, but none has solved the problem of “the room.” Until ARC. Using proprietary processes and the power of your PC the ARC system, years in development and included with your Anthem Statement D2v, analyzes each speaker’s in-room sound and then computes the required correction to yield optimal performance from every speaker. It’s a process that takes less than five minutes! Anthem’s approach is a true audiophile solution to the problems of the room. ARC is garnering rave reviews across the industry. For more information, see the ARC data sheet in the downloads & support section.
Specifications
VIDEO SWITCHING
Bandwidth from input to output jack (bypass mode for component video)
Composite and S-Video
70 MHz
Component
Y
110 MHz
Pr
90 MHz
Pb
80 MHz
All analog video inputs and outputs are 75 Ω, 1.5 Vp-p.
ANALOG AUDIO
Input Impedance
20 kΩ
Output Impedance
Main-RCA
300 Ω
XLR
600 Ω
Zones 2/3 and Record
51 Ω
Rated Input
2.0 Vrms
Maximum Input
5.3 Vrms
Minimum Load
5 kΩ
Rated Output (100 kΩ load)
2.0 Vrms
Maximum Output
RCA
6.3 Vrms
XLR
12.6 Vrms
Headphone Output
100 mW into 32 Ω at 0.2% THD+N
Volume Control Range
Main
- 95.5 dB to +31.5 dB (in 0.5 dB increments)
Zone 2/3 and Headphone
- 62.5 dB to +10.0 dB (in 1.25 dB increments)
Crosstalk (at 1 kHz)
82 dB between channels; 86 dB between inputs
XLR Pin Configuration
Pin 1: Ground, Pin 2: Positive, Pin 3: Negative
DIGITAL AUDIO
Crossover
High-Pass Slope (small speaker setting)
12 dB/octave (2nd order)
Low-Pass Slope (subwoofer)
24 dB/octave (4th order)
Frequency (adjustable)
25 Hz to 160 Hz (in 5 Hz increments)
Tone Control
Fliter Type
Shelf
Range
+/- 12 dB
Bass Turnover Frequency
200 Hz
Treble Turnover Frequency
2 kHz
Analog-to-Digital Conversion S/N Ratio (at digital Rec output) (IEC-A Filter)
100 dB
All digital audio inputs and outputs comply with HDMI, S/PDIF or AES/EBU standards. Sample rate converter output is 24 bit/192 kHz regardless of input.
MAIN PATH (RCA and XLR Outputs)
Frequency Response and Bandwidth
Analog Direct Inputs
10 Hz to 20 kHz (+0 -0.2 dB), 1 Hz to 130 kHz (+0 -3 dB)
Analog-DSP Inputs at 24/96
10 Hz to 20 kHz (+0 -0.3 dB), 2 Hz to 44.1 kHz (+0 -3 dB)
Digital Inputs at 24/96
10 Hz to 20 kHz (+0 -0.2 dB), 1 Hz to 45 kHz (+0 -3 dB)
THD+N (at Rated Input and Output)
Analog Direct Inputs
0.006% (80 kHz BW)
Analog-DSP Inputs at 24/48 or 24/96
0.004% (AES17 Filter)
Digital Inputs at 24/48 or 24/96
0.004% (AES17 Filter)
IMD (CCIF at 15 kHz and 16 kHz)
Analog Direct Inputs
<0.001%
Analog-DSP Inputs at 24/48
0.001%
Digital Inputs at 24/48 or 24/96
0.001%
S/N Ratio (ref. 2.0 Vrms, IEC-A Filter)
Analog Direct Inputs
107 dB
Analog-DSP Inputs at 24/48 or 24/96
101 dB
Digital Inputs at 24/48 or 24/96
104 dB
ZONE 2 and ZONE 3 PATHS
Frequency Response and Bandwidth
20 Hz to 20 kHz (+0 -0.1 dB), 3 Hz to 140 kHz (+0 -3 dB)
THD+N (at Rated Input and Output)
0.06% (80 kHz BW)
IMD (CCIF at 15 kHz and 16 kHz)
0.06%
S/N Ratio (ref. 2.0 Vrms, IEC-A Filter)
97 dB
FM TUNER
Sensitivity
50 dB S/N
13 dBµ typical, 25 dBµ max.
IHF
10 dBµ typical, 20 dBµ max.
S/N Ratio
Mono
75 dB typical, 65 dB min.
Stereo
69 dB typical, 60 dB min.
Distortion
Mono
0.2% typical, 1.0% max.
Stereo
0.3% typical, 1.5% max.
Stereo Separation
40 dB typical, 25 dB min.
Alternate Channel Selectivity (+/- 400 kHz)
70 dB typical, 60 dB min.
Frequency Response
25 Hz to 15 kHz (+0 -2 dB)
AM TUNER
Sensitivity (20 dB S/N)
49 dBµ typical, 56 dBµ max.
S/N Ratio
50 dB typical, 43 dB min.
Distortion
0.7% typical, 2.0% max.
One-Signal Selectivity (+/- 10 kHz)
24 dB typical, 18 dB min.
CONTROL
Infra Red
Carrier Frequency
38 kHz
Maximum 12 V Supply Current
150 mA
Maximum Emitter Current
60 mA per output
RS-232 Interface
Connection
DB-9F, straight-wired
Pinout (D2v side)
Pin 2: Tx, Pin 3: Rx, Pin 5: Ground
Baud Rate
1200, 2400, 4800, 9600, 19200, 38400, 57600, 115200
8 data bits, 1 stop bit, no parity bits, flow control (RTS/CTS, none)
Trigger Outputs
Polarity
tip positive, sleeve ground
Maximum Current at 12 VDC
300 mA between all three triggers
Sequential Delay
250 ms
POWER REQUIREMENT
Consumption
Maximum 170 W
DIMENSIONS
Height
5-7/8 inches (14.9 cm) including feet;
rack-mounting: 3 rack units without feet
Width
Standard version
19-1/4 inches (49 cm)
Rack-Mount version
19 inches (48.3 cm)
No-Handle version
17-1/4 inches (43.8 cm)
Depth
15-1/4 inches (38.7 cm)
Weight (unpacked)
27 lb (12.3 kg)
AVAILABLE FINISH
Black
Remote

PRESET MEMORY CODES
Download Preset Memory Codes
UNIVERSAL REMOTE MX-3000 USERS:
Download a ready-made configuration file here:
For more resources, you may want to visit www.remotecentral.com
PHILIPS PRONTO USERS:
Download a ready-made configuration file here:
If you require technical support with the Pronto, please contact www.pronto.philips.com
For more resources, you may want to visit www.remotecentral.com and www.prontoedit.com
MAKING YOUR OWN CCF?
If you are having difficulty teaching the Pronto certain commands, the following will be of help to you. Pronto adds a stop command to any code it learns, and makes some codes unusable. We have created specially made IR codes in .ird format that can be loaded through a program called IRDatabase. Besides saving the trouble of teaching the codes one by one, these codes use less memory and react more quickly than taught codes. Please note: The codes are listed under AVM 20.
Download the complete IRD Database here:
To open the .ird file, you will need to download and install IRDatabase from www.remotecentral.com
HOW TO USER IT:
Open Pronto Edit to enter the codes into your Pronto. You can pull the codes from the database by double-clicking on the desired button in your .ccf file. When the "Properties" panel appears, click on "IR DB", and all the codes will be available under "Preamp". Since Vol+ and Vol- are the buttons most often needed, they are listed here so you don't have to install this program (you can copy straight from this page and paste onto ProntoEdit):
Pronto 1000 and 2000
0000 0070 0000 0022 0130 0098 0017 0017 0017 0045 0017 0017 0017 0045 0017 0045 0017 0045 0017 0017 0017 0045 0017 0017 0017 0045 0017 0017 0017 0017 0017 0017 0017 0045 0017 0017 0017 0017 0017 0017 0017 0017 0017 0017 0017 0017 0017 0045 0017 0017 0017 0017 0017 0017 0017 0017 0017 0017 0017 0045 0017 0017 0017 0045 0017 0017 0017 0017 0017 0017 0017 03b6
VOL+
0000 0070 0000 0022 0130 0098 0017 0017 0017 0045 0017 0017 0017 0045 0017 0045 0017 0045 0017 0017 0017 0045 0017 0017 0017 0045 0017 0017 0017 0017 0017 0017 0017 0045 0017 0017 0017 0017 0017 0045 0017 0045 0017 0045 0017 0045 0017 0017 0017 0017 0017 0017 0017 0017 0017 0045 0017 0017 0017 0045 0017 0017 0017 0045 0017 0017 0017 0017 0017 0017 0017 03b6
0000 006D 0000 0022 012B 0099 0017 0017 0017 0046 0017 0017 0017 0046 0017 0046 0017 0046 0017 0017 0017 0046 0017 0017 0017 0046 0017 0017 0017 0017 0017 0017 0017 0046 0017 0017 0017 0017 0017 0046 0017 0046 0017 0046 0017 0046 0017 0017 0017 0017 0017 0017 0017 0017 0017 0046 0017 0017 0017 0046 0017 0017 0017 0046 0017 0017 0017 0017 0017 0017 0017 03D5
Vol-
0000 006D 0000 0022 012B 0099 0017 0017 0017 0046 0017 0017 0017 0046 0017 0046 0017 0046 0017 0017 0017 0046 0017 0017 0017 0046 0017 0017 0017 0017 0017 0017 0017 0046 0017 0017 0017 0017 0017 0017 0017 0017 0017 0017 0017 0017 0017 0046 0017 0017 0017 0017 0017 0017 0017 0017 0017 0017 0017 0046 0017 0017 0017 0046 0017 0017 0017 0017 0017 0017 0017 03D5Reviews





BLX 200
A2
A5
P2
P5

